Breanna Yde, Parachute Single cover, 2024
10 min

11.09.2026

What Drives Breanna YDE's Music and Acting

By Ruslan Khabiev

Actress and musician Breanna YDE discusses what draws her to challenging roles, the overlap between film and theatre, and making art from a place of deep emotional honesty and vulnerability.

By Ruslan Khabiev

​Breanna Yde is an actress and musician navigating a significant creative inflection point. After stepping back from film and television work in 2019, she returned to acting in 2023 – a return catalyzed by grief and the need to process loss through performance. Simultaneously, she has been developing her music practice, releasing the "8" EP, an exploration of vulnerability and emotional honesty.

In this conversation with WeDirectory, YDE reflects on what drew her back to acting, how her parallel work in music and film inform each other, and why authenticity has become central to her artistic practice.

What has been inspiring you lately - in people, in music, in life?

Lately I’ve been drawing the most inspiration from nature. I’ve always found it ironic that some of the most celebrated art in the world is, in some way, an attempt to recreate something that already exists naturally. We paint the night sky, we photograph landscapes, we make films trying to capture a moment that was already alive before we put a camera in front of it. In the past, I have fallen into the trap of believing I need to create new ideas, rather than discover the beauty that is already around me and let that inspire me. A consistent inspiration point for years has been the ocean. Even taking the way the ocean exists. Regardless of what time it is, the water is never still, and that gives me relief knowing that we are all constantly evolving, ebbing and flowing beings. Stagnation is not natural. The ocean inspires me to be, to grow, to change, to try new things.

Breanna Yde glancing over her shoulder at sunset, wearing a colorful headscarf and hoop earrings

Breanna Yde. Via (@breannayde | Instagram)


You told me that you’re constantly searching for truth in art. What is it that feels most meaningful or urgent to you in art at this stage of your life?

At this point in my life, what feels most meaningful to me is capturing the imperfect rawness of truth. I think real courage is required to be vulnerable, both as an artist and as a person. It’s awesome to make something I consider to be cool or beautiful, but I’m much more interested in making something honest. I think technique can be learned. Most people can pick up an instrument or a paintbrush and learn what to do, but art that I’ve always admired is art that is unafraid to be exactly what it is. Art that doesn’t hide. And that scares me, but it is deeply rewarding.

In addition to music and acting, you also paint. Could you tell us more about that—what do you usually paint, what materials do you work with, and what other forms of self-expression would you like to explore in the future?

Props to you for doing research! Painting is something I keep pretty private to maintain the childlike freedom that I feel with it. Truthfully, I have no idea what the fuck I'm doing or what is technically considered "correct" or "incorrect" which is the very thing I love about it. It is such a pure outlet. When people use the metaphor "throw shit against a wall and see what sticks", that literally sums up my approach with painting.

Which films have shaped you, and what would you recommend our readers absolutely watch?

There are a handful of films that were deeply impactful each for such different reasons, but the first that come to mind are The Matrix, Raging Bull, Black Swan, Whiplash, and The Dark Knight. I've always had an affinity to films that challenge my perception of reality, obsession, identity, and how far we'll go in pursuit of something meaningful to us. And Batman!​

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You've been building your identity both as an actress and as a musician. Where do those two sides of you overlap most, and where do they remain separate?

As I develop as both an actress and a musician, I'm learning that the separation between the two isn't terribly large. Both art forms come back to being willing to explore the depths of yourself and express them. And the further you go in that exploration, the more open you are to each outlet. I like to think of myself as the canvas for whatever creative impulse is working through me. Sometimes that expresses itself through lyrics and melodies, and sometimes it's a character in front of a camera.

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You mentioned that you rediscovered your love for acting, and that it was largely brought on by grief. Would you be open to talking a little more about that?

In May of last year I lost a real mentor in my life. Someone who helped me shape my own ideological values and challenged me to view life from new lenses constantly. Losing him felt like losing a piece of myself. I found myself clawing for ways to express the inexpressible depth of pain. I felt like I had no choice but to feel the weight of his nonpresence. And by making myself available to feeling, I was naturally drawn back into acting. Losing him came weeks before I filmed my first movie back from my film and tv hiatus that I had taken since 2019. Allowing myself to feel everything that I was feeling, through the circumstances of a character was catharsis on its own. And through that process, I fell completely back in love with the art form of acting.

I know that alongside film work, you also perform in theatre. Actors often draw a line between film and theatre, sometimes preferring one over the other. Is that true for you as well? And which one brings you more joy?

There certainly is a discrepancy between the two mediums, but I don't know that I could choose one over the other. Acting in general is such a lesson in surrender, and I think theatre takes that to a whole new level. There's something terrifying and beautiful about knowing that the audience is experiencing the performance at the exact same moment you are. You have this one chance to live through it together, and then it's gone. Whereas film is incredibly intimate, almost intrusive. The camera doesn't allow any space to hide, but you are allowed the freedom to explore and discover repeatedly. They are both such teachers to me, so I'm just open to whichever finds me naturally.

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Speaking about Parachute, you mentioned that as you get older, you allow yourself to experience life and love more deeply—and because of that, you become more vulnerable to the pain that may lie on the other side. If you were to offer us a glimpse of the new album, how would you describe it? What can we expect?

The new music is certainly the most honest I've ever allowed myself to be. As I get older, I'm realizing that experiencing life deeply also means making yourself available to pain. You can't really have one without the other. Parachute came from that realization. With this new music, I'm actively letting go of my instinct to protect myself. This music feels free from any attempt to make it anything other than exactly what it is.

Breanna YDE in flowing white ballgown, head bowed, Parachute single cover art against dark background

YDE – Parachute (Single, 2024) 


What do you consider the most important thing in this moment of your life, even if it's still hard to put into words?

What feels most important to me right now is learning how to actually be here. To surrender to the life in front of me. To allow myself to truly be affected by things. To be present enough that maybe I'll be inspired to make art about it.

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After several years in which music has been the primary space for your creative exploration, you're returning to film with a remarkably varied slate of projects—from Urchins and Delphi to the musical horror-comedy Eat Your Heart Out. What is drawing you to the roles and stories you're choosing now, and what kind of path would you like to build for yourself as an actress going forward?

The thing that has always drawn me to acting is how much it challenges me. It asks me to confront myself, to feel further, and to understand and have empathy for people or experiences that I have never known. The roles I'm most drawn to are the ones that push me somewhere I haven't been before. And sometimes, honestly, a role just seems really fun and that's all I need to know to be on board. I think life is too short to meticulously handpick each opportunity. I think it's really important to follow the open doors in life.

I've been so extremely lucky this year getting to work on such different projects, and I hope I'm lucky enough to continue down this path. I've never been interested in trapping myself in genres or character archetypes. I want to look back and see characters that feel completely different from one another, and hopefully find that each one forced me to grow in some way. I think that's what keeps acting exciting to me—there is no final stop. There is always somewhere further to go.

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Author

Ruslan Khabiev

Date

11.09.2026

Tags
Performing Arts & Live EventsBreanna YDEactressmusicianinterviewperforming artsfilmactingmusicParachute albumcreativityart philosophyauthenticityvulnerability